GLOBAL FREQUENCY On TV: Round 2

November 18th, 2009 | Work

The Twitter account of industry magazine PRODUCTION WEEKLY just posted on teh twittarz:

The CW will again try to adapt Warren Ellis’ comic book "Global Frequency," this time Scott Nimerfro will script the pilot.

Which I discovered because half a dozen people retweeted it at me within about thirty seconds of it landing.

I haven’t been cleared to comment yet, so I can’t really add anything to this. I’ve spoken briefly to Scott Nimerfro — by which I mean I threatened to have him stabbed, and he thanked me and told me a funny story about how he’s had worse threats — and he is Okay.

Anyway. Yes. Shouldn’t say any more until I get the nod from the studio. But yes.

(Also, yes, I did tell John Rogers. But John, you know, has his own hit show LEVERAGE these days. One of his temple houris told me that John, from the depths of the bed made of golden vaginas that they wheel him around in, wishes me luck.)

15 Responses to “GLOBAL FREQUENCY On TV: Round 2”

  1. Ya know, I’m not surprised. Too good a concept to let lie.

    I hope they can retain at least some of the anthology aspect of the comeek.

    And Roger’s version will gain cachet as a Lost Pilot.

  2. [...] GLOBAL FREQUENCY On TV: Round 2 Published on 18/11/2009 in links. 0 Comments [...]

  3. That final sentence is why you should be made poet laureate for life. Just saying.

  4. Glad to hear. If they sold the pilot and did an initial order of 1 episodes that would take you one out of where the original mini ran, would you be writing a script then?

    What was the music they used in the old pilot anyway? I’ve heard it used elsewhere and I wanted to track it down.

  5. That’s good news! I did enjoy the original pilot episode, you can see how much great effort went into it. Watching it again, it does now feel like a product of its time (altho the camera work and effects work really does still hold up wonderfully!) and, as I’m sure I don’t need to actually say – Mr Ellis’ ‘Global Frequency’ is quite timeless.

    Either way, its good news and I hope that this time is gets picked up.

    “FUCK MEDIOCRITY! THINK COMPLICATED AND DANGEROUS THOUGHTS!”

  6. [...] CW and writer Scott Nimerfro. The news was further touched upon by Ellis himself, who wrote on his blog that he hadn’t “been cleared to comment yet” by the [...]

  7. I hope for the best for you and the series.

    OTOH, I have just seen AMC’s travesty of The Prisoner and am in less than an optimistic mood.

  8. I checked imdb and Scott Nimerfro worked on Pushing Daisies. That makes him Good People in my book.

  9. Having been on the “Leverage” set in Portland, I can state quite unequivocally that the bed is not in point of fact made of “golden vaginas”, but rather, is a bed made of vaginas (species indeterminate, but not, I believe, human) spray painted gold.

    A subtle, but nonetheless significant difference.

  10. [...] GLOBAL FREQUENCY On TV: Round 2 [...]

  11. Guess it’s time to reactivate Frequencysite.com… too bad Rogers isn’t involved this time around, though. His enthusiasm for the original project was infectious.

    Still, I think if done right, this could be the kind of show that could make people take The CW seriously. Possibly.

  12. A fine day indeed when a good story rises from the ashes to get another go. Maybe some of the disappointed fans of the The Prisoner remake will get some satisfaction from this.

  13. [...] seems like this would pass for valuable pre-awareness these days.) But someone is trying it again, Ellis writes: The CW will again try to adapt Warren Ellis’ comic book “Global Frequency,” this [...]

  14. [...] Warren Ellis.com, MTV, [...]

  15. Just curious if there is any further news on the likelyhood of this happening?


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Children by the Millions Wait for Alex Chilton

Coilhouse - 17 Mar 10

In honor of Alex Chilton’s passing, we’d like to publish this article written by Joshua Ellis. This article appeared in Coilhouse Issue 04. You can also view a PDF of this article, by a strange twist of fate, over at the official Pixies website. It’s not an article about him, or The Pixies, per se. However, we’ve been wanting to publish this article on our blog for a while now, and this feels like the right moment to do so. This article speaks to the heart of why we’re all here together. What’s that song? / I’m in love / With that song…

I have this memory, and I?m not sure if it?s even real?or if it?s real, if it?s cobbled together from a half-dozen memories, fragments of things that happened over the course of a year or two that began the summer before I started high school, in 1991.

In this memory, I?m sitting in the basement of a girl named Sara, who pronounced her name ?Saah-rah? and had purple hair and smoked clove cigarettes. I didn?t know Sara very well, but she was part of a small collective of freaks and weirdos that I had congregated to when I moved that summer from my ancestral home of north Texas to the small mountain town of Hamilton, Montana.

I?m sitting in Sara?s basement with my friends: Jeremy, the pretty guy who wears big black woolen overcoats and Jamaican tam o? shanters in bright yellow and red and green, and seems to have unlimited access to the panties of every single girl in the Bitterroot Valley; Wade, who perpetually sports Birkenstock loafers that look like inflated bladders and drives a white Volkswagen Beetle covered in Grateful Dead stickers; Nate, who is one of the best guitarists I?ve ever met and is a huge aficionado of what will later come to be known as ?extreme? sports, like bouncing down jagged rock faces on a beat-up skateboard deck; Sarah and her sister, Jenny, who are both fond of dropping random giggly non sequiturs into the conversation when stoned.

They?re all here, or some of them, or none of them. We?re sitting in the dark, talking bohemian bullshit, maybe smoking pot. It?s the kind of night that gets put on endless repeat when you?re young and strange and condemned to spend your adolescence in some far-flung desolate shithole like Hamilton, Montana, where you can?t lose yourself in the noise or happily become part of it, the way you can in New York or Seattle or Los Angeles or Chicago.

I?m not as cool as they are. I don?t know about cool shit. I?m just this uptight kid from J. R. Ewing Land who talks too much, still wears Bugle Boy button-downs and M. C. Hammer pants, and has only the dimmest idea that there?s some entire world out there of cool shit that I know nothing about. I own a Jane?s Addiction album and I?ve vaguely heard of the Sex Pistols.

And in this memory, Sara gets up and puts a cassette tape into her boom box. It?s a time traveler from 1984, beaten and scuffed, with the inevitable broken-off cassette door, so you just slap the tape in and hope that the tape head keeps it from falling out, which will cause the relentless motors to chew the tape and unspool it like the entrails of a slaughtered pig. Sara slaps the tape in and hits play.

This song comes out?a slow beat, big and echoing, then a bass playing eighth notes, and then a guitar, dreamy and vibrating. It sounds like what I imagine sunrise on a beach would be like, like what I imagine doing heroin would be like, like what I imagine sex in a dark room with that awesome girl you lie awake and dream of meeting would be like. I haven?t experienced any of these things?yet.

And then a voice, a high husky man?s voice, gentle over the music.

Cease to resist, given my good-byes
Drive my car into the o-o-sha-hah-hahn

You think I?m dead, but I sail away
On a wave of mutilation, wave of mutilation
Wave of mutilation

Way-hey-hey-hey-have
Way-hey-hey-hey-have

?What is this?? I ask. Sara shrugs.

?It?s the Pixies,? she says in this memory that may not even be real, or maybe didn?t happen this way at all. ?The song?s called ?Wave of Mutilation.? This is the U.K. Surf Mix. The real version is faster and louder.?

?I?ve never heard of them,? I said. ?I?ve never heard this.?

?They?re pretty cool,? Sara says. ?I think they?re from, like, Boston.?

I nod. Pretty cool.


Read the rest of Children by the Millions Wait for Alex Chilton


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