Paul Pope
November 24th, 2009 | people I know
November 24th, 2009 | Work
According to Forbidden Planet International, the collected IGNITION CITY will be out in February 2010, and apparently it’ll look like this:
November 24th, 2009 | brainjuice
November 24th, 2009 | music
Continuing my list (and yes, there will be more of these posts to follow, so don’t tell me what I’ve left off this list):
MONOLITHS AND DIMENSIONS, Sunn O))): the more I listen to this immense album, the more I think of it as four movements transitioning from the pagan to the organised church through an apocalyptic collapse into some awful, barren post-civilisational doomspace that fades to become a weirdly sylvan, almost innocent place. Of course, that could just be me. Never discount the possibility that I am a mad old man and completely full of shit. Anyway, yes, it all sounds a bit prog, but they pull it off as far as I’m concerned.
BROMST, Dan Deacon: perhaps not as gleefully mental as SPIDERMAN OF THE RINGS, but still a greatly entertaining record and a working-playlist staple for me over the summer. Very beautiful in places, and, I think, curiously revelatory of his conservatory background. It’s a record you can just spazz around to that also rewards a close listening, just to hear how he really builds that stuff.
"Skeletons," Yeah Yeah Yeahs: Off the album IT’S BLITZ. Honestly, much of the album left me cold. "Skeletons," though, approaches the heights of "Maps" (and if you don’t like "Maps," then you’re dead inside). Love as a long winter march.
"Dog Days Are Over," Florence And The Machine: similarly, I thought LUNGS was a weak album, and I suspect "Dog Days" will prove to be their One Great Song. (I have a half-arsed theory that 95% of bands have One Great Song in them, and I can prove this using an abacus, Manhattan Love Suicides’ "Veronica," and my right fist.) This one is the one: brilliant structure, some beautifully written lines, she sings like she knows what she’s talking about (which I didn’t get from "Kiss With A Fist, oddly), and she opens up her pipes and blows the door off.
SYMBIOSIS, Demdike Stare: this was a marvellous thing. World Hauntology, if you like: Middle Eastern musics, lo-fi drone and the hideous Arctic menace of Scando exorcists like Elegi, all whacked together with stark rhythmic instinct and crazed machine intelligence. I get the impression this record went way under the radar this year, and it really shouldn’t have.
More in a while.
November 23rd, 2009 | Work
TOTW is basically a joke that Ariana and I pull each week in our joint guise as the International Electrophonic Unit. Basically, we take some of the stupider things I’ve said on Twitter and elsewhere, often in a state of extreme alcoholic refreshment or severe sleep deprivation, and put them on a t-shirt. Ariana set up a Cafe Press store (because this is a joke and engaging with a serious maker of t-shirts would be less funny to us), and… well, once a week, here we are.
Through this website and this Cafe Press store, we’re going to release one t-shirt a week. It’ll go live on Monday… and it’ll die Sunday night — midnight UK time, more often than not. Each one lives for a week, and then it’s replaced by the next week’s shirt. Until I either run out of dumb ideas or Ariana’s brain explodes.
So, every Monday, I’ll post the new shirt here, and you can peer at it more at http://www.cafepress.com/electrophonic.
Anyway. I present to you T-Shirt Of The Week #005: HEALTH:
We also offer a couple of perennial items. Mostly because I wanted one of these for myself:
(And also a MAN COOK MEAT WITH FIRE "splatter-shield", because Ariana’s crazy)
Thank you for your kind attention.

November 22nd, 2009 | brainjuice
(tags:video )
November 21st, 2009 | music
By which I mean music released in 2009. And [1] because I’m obviously not going to get them all in one post. It’s going to be lots of little ones. I’m giving myself a month for my memory to work properly. But I think it’s still worth making a note of what was good to my ears this year.
THE SPOILS, Zola Jesus: of which I’ve made much mention lately. Nika’s a beautiful ghost moaning from the shadows of a bombed-out cathedral, on this record. Possibly an aspect of my continuing fascination with The Haunted in early 21st Century music. But I’m returning to this record a lot.
GABON and INCAPULCO and a bunch of other releases, High Wolf: top of the whole glo-fi thing, for me, has been High Wolf and his wet lo-fi tropical dreamstates. GABON in particular was a glorious thing. Hypnogogic reverie when you’ve still got the drugged beat of a rainforest drone-rave beating in your ears.
MAN OF ARAN, British Sea Power: always a band I’ve almost-liked rather than love, but "The SOuth Sound" off this soundtrack they prepared for the re-release of the eponymous film is the best piece of classical building/soaring postrock I’ve heard since "Raise Yr Skinny Fists." I mean, flat fucking out. Coda to the whole subgenre.
HORRIBLES PARADE, Gary War: this thing continues to fascinate me. It’s melted music. Seriously. Like someone went at a wax master with a blowtorch and then struck the record with it. A gorgeous gurgling gargoyle of a thing. Partially dissolved rock.
FLORINE, Julianna Barwick: astonishing vocal music, multitracked and layered and processed until it became the sound that the trails of collapsing photons passing through the feathers of angels’ wings in a particle accelerator should make. Or something.
BROADCAST AND THE FOCUS GROUP INVESTIGATE WITCH CULTS OF THE RADIO AGE, Broadcast And The Focus Group: the title should tell you all you need to know. You’re either the sort of person who wants to own an album by that title, or you’re not. It is, as Moon Wiring Club would say, in the finest tradition of confusing English electronic music. It’s less a "proper" album than a collection of sounds that surround a certain set of timebound notions about Strangeness. As the title implies, it sometimes seems more like research (in the form of original music). It is really bloody good, yes.
November 21st, 2009 | brainjuice
November 21st, 2009 | brainjuice
Because the internet is made out of people: this was The Friday Telescreen 2009. These are the readers of warrenellis.com.
Thanks to all who sent in photos, and especial thanks to the three hundred people whose photos I just couldn’t fit in. Sorry. Next year I’ll do a weeklong thing again, and get everybody in.
Have a good weekend.

November 21st, 2009 | brainjuice
Because it watches you while you look at it. For the next hour or so, I present a selection of the readers of this website:
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next couple of hours, I present a selection of the readers of this website:

November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next few hours, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next few hours, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | people I know, researchmaterial, shivering sands
Ariana got the shouting out of her system in re: whining about how making stuff and showing it to people is too hard.
Now she’s moved on to: how to start thinking about making a project.
…if the feedback I’m getting is any indication (and I’ve got comments disabled here because they don’t suit me, but I do pay attention to Twitter and I read everything on Whitechapel) — there are a LOT of you right. on. that. cusp. of taking the first step. So look, I know I’ve been giving you lot a hard time about “just getting it done,” but before I get into my list of Stuff What I Learned Working With POD sometime tomorrow, I wanna back up a step and talk to you.
Here’s what you need to do, right now, tonight. No, NOT tomorrow morning, or this weekend, or once your work rush has let off a little, or after the holidays, or sometime in the New Year: Right. Fucking. Now….
And from there to book-specific notes and observations about working with a POD system:
…how you go about putting your book together is completely up to you, and what you’re comfortable with. The Lulu templates will give you a bit less control over what the finished product looks like, but it’s a really good place for the people that are just starting out. Do you already understand why your inside margins need to be a titch wider than your outside? If that question just kinda terrified you: that’s all right, but you probably want to start with the templates. Trust me, your book is still going to be lovely, the important thing for you is just getting your content into a pretty and readable format.
And, today, the begininngs of how we run FREAKANGELS the way we do.
Wil’s been all over Ariana’s THIS IS HOW WE FIX SHIT WITH WRENCHES posts during this week, and has a distillation of what he’s taken from them at this link here:
This is incredibly inspiring to me, and I hope that it’s just as inspiring to indie artists everywhere. Why not take a creative risk and see if it works out? Unlike the old days, when we had to purchase a lot of stock ahead of time and hope we could sell it, we can just Get Excited and Make Things, knowing that the very worst that can happen is that nobody likes that thing we made as much as we thought they would…
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 24 hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 20th, 2009 | brainjuice
November 20th, 2009 | brainjuice
Because it watches you while you look at it. For the next 20-odd hours or so, I present a selection of the readers of this website:
(Join in by sending a self-portrait to warrenellis@gmail.com.)
November 19th, 2009 | knock john
Knock John, like Shivering Sands, was a Maunsell Sea Fort in the Thames Estuary. It still stands today. All its ladders have been prised off to ensure it can’t be used as a smuggling stage… although it’s worth noting that the big guns weren’t taken off it until 1992. In 1965, it was taken over and used as a pirate radio station.
(We like our pirates around here. The creeks of shoreland Essex were the byways for pirates all the way into the 19th century, after all)
Radio Essex broadcast for a little over a year. They may have been the first British radio station to broadcast the likes of John Lee Hooker, I’m not sure — I know they played a lot of blues and R&B that wasn’t getting much attention elsewhere. I’ve read that Radio Essex was in fact criticised for being "weird" in 1966. Roy Bates, who set Radio Essex up, later decamped to the sea fort Roughs Tower, which you may know better as the principality of Sealand.
SHIVERING SANDS was my first POD book. A year from now or thereabouts, KNOCK JOHN will be the second.
(Superb image of Knock John by Richard Brown, found on a Flickr search)
November 19th, 2009 | brainjuice
So every year I do a thing where all the readers of the site take a photo and send it in to me, and I run as many as I can. It started off as World Wide Wednesday, and last July I did a World Wide Week just because of the volume of shots I get. I just realised today that I haven’t done one of these stunts this year. And that I don’t have a clear week between now and New Year where I’m actually at the keyboard every day. So I’m going to bring back the iteration from 2008, I think. Tomorrow will be The Friday Telescreen 2009.
Take a picture of yourself, email it (not a link to it) to warrenellis@gmail.com and I’ll run as many of you as I can here during Friday.
Why do I do this every year? I dunno. Kind of a tradition now, since the days of the WEF and Die Puny Humans. I have this idea in my head that the internet, like Soylent Green, is made out of people, and it doesn’t hurt to see the people you’re with when you come here.
It begins.
November 19th, 2009 | people I know, photography
I’m off in my head today, in story-hunting mode. In lieu of actual content, let’s see what some people I know are up to.
Jamais Cascio is practising his stance for the day he takes over the world:
Katie West is… god, I dunno… pink?
She’s also in Matt Sheret’s PAPER SCIENCE, which I’m going to need a copy of, young man, if you’re reading this…
Zo is Zo:
Templesmith’s new book is looking good:
(Bruce lives out of his laptop, and it accrues memetic furniture as it rolls around the world with him.)
Ellen Rogers photography for the Dec 09 issue of i-D:
November 18th, 2009 | Work
The Twitter account of industry magazine PRODUCTION WEEKLY just posted on teh twittarz:
The CW will again try to adapt Warren Ellis’ comic book "Global Frequency," this time Scott Nimerfro will script the pilot.
Which I discovered because half a dozen people retweeted it at me within about thirty seconds of it landing.
I haven’t been cleared to comment yet, so I can’t really add anything to this. I’ve spoken briefly to Scott Nimerfro — by which I mean I threatened to have him stabbed, and he thanked me and told me a funny story about how he’s had worse threats — and he is Okay.
Anyway. Yes. Shouldn’t say any more until I get the nod from the studio. But yes.
(Also, yes, I did tell John Rogers. But John, you know, has his own hit show LEVERAGE these days. One of his temple houris told me that John, from the depths of the bed made of golden vaginas that they wheel him around in, wishes me luck.)
November 17th, 2009 | people I know, photography
(whom you know better as comics creator D’Israeli)
(is living in Greece for a while)
(and these are his photos of his time there so far)
