Absenteeism

October 5th, 2009 | brainjuice

Strange gig tomorrow: I have to give a talk on posthumanism and the superhero to a Design Interactions class at the Royal College of Art in London. I suspect it may prove to be a condensed DO ANYTHING. And then I believe I have to see some of the boys from the BERG. So tomorrow’s going to be all quiet here.

Hell, given that PLANETARY #27 is published mid-week, I’m tempted to keep it all quiet for the week.

People keep asking me for some huge conclusive statement about its completion. For me, it was completed some two and a half years ago, when I wrote the final script. John and Laura have done their usual worldbeating work on the last issue, but I could barely bring myself to proofread it. It’s a book I associate with bad times: protracted illnesses, big arguments (I remember John and I once threatening to quit over some idiot move to take Laura off the book, and I vividly remembering arguing for John’s job when DC wanted to fire him over his taking on ASTONISHING X-MEN), my physical collapse and months in bed, and my dad’s long illness and eventual death. All of these things are intertwined with PLANETARY for me, and make it difficult to enjoy the moment. I’m just glad people won’t ask me about it anymore.

Anyway. It’s a beautiful-looking book.

ASTONISHING X-MEN #31 is also out this week, drawn by a man I don’t work with often enough, the superb Phil Jimenez. Phil did the PLANETARY/AUTHORITY book with me, collected in PLANETARY: CROSSING WORLDS, and also, infamously, the "banned" issue of HELLBLAZER I wrote, SHOOT. Which I have heard can be illegally seen here. After a bit of a false start on ASTONISHING X-MEN, it’s just hugely relaxing to work with an old friend who hurls himself into the work, enriching everything he touches while instinctively getting what I need and what the page needs.

Also, there are spaceships, asteroid bases, beasties and explosions. Just a bunch of Big Marvel Fun, for the hell of it. Also, lots of Science Talk and raw meat.

Which is probably not the sort of thing that gets you invited to the Royal College of Art, so ssssh.

15 Responses to “Absenteeism”

  1. I just wanted to say that during the run of Planetary, I was dealing with my own father’s prolonged illness and eventual death, and my memories of the series coincide with those events.

    We shared the individual issues and the collections, and he loved the series. I wanted to thank you for writing something that was fun, exciting, and ultimately as full of wonder as he often wished the rest of the world would be.

  2. Actually - that’s *precisely* the sort of thing that gets you invited to the RCA e.g.:
    http://berglondon.com/projects/meat/

  3. Thanks for the link to SHOOT. How very true.

  4. Thanks for the link to SHOOT. What a powerful piece! I’m so glad I finally got to read it!

  5. Sorry to hear your Planetary memories aren’t as fond from your perspective. Though I’m sure you know that for most of us on the other end of the intertubes this will be like a long-awaited reunion with old friends. Who can freeze things with their mind.

    And Cassaday didn’t go anywhere. So, you know, the forces of art triumphed. And then some.

  6. If you weren’t already aware… Well, I guess you are now… http://www.bleedingcool.com/2009/10/06/marvel-drop-f-bomb-on-kiddiwinks/#comments

  7. […] I feel I can’t not make my pick of the week. Ellis shares his thoughts on the end of the series here. […]

  8. Mr. Ellis- Sincerely, thank you for Planetary. It made me love comics again, and every issue was worth the wait.

  9. Any chance your presentation will be available online sometime? I’d love to see it. If not I’ll have to interrogate Matt when I see him in nyc soon.

  10. I was just saying to a friend who told me your twitter comments regarding Planetary #27 “Bugger, sounds like his heart wasn’t really in it”
    But after reading this, I’m now thinking maybe you had too much heart in it.
    Too much guts. Too much blood, toil, tears and sweat
    And all I can say is, it shows.
    Thanks

  11. Warren,

    Thank you. I respect the reasons for your feeling as you do about completing Planetary and it makes me more than a little sad that you can’t enjoy it the way your readers are doing. I hope that, sooner rather than later, you’ll have the opportunity to revisit Planetary and get a chance to appreciate what you’ve done.

    Cheers,

  12. Mr.Ellis, thank you for creating this astounding work of art. I absolutely love Planetary and your writing in general and I honestly don’t think you get enough credit for the amazing job you do. You are like the Midas of comic book writers, everything you touch turns to gold. I’m sorry though that Planetary has been associated with so many hard memories for you, but just know that it has brought me and my friends many great memories together.

    A Fan

  13. A meat sentinel? gross.

  14. […] Warren Ellis has some reservations about the series, mainly due to some bad things that happened during its run, I think it’s actually one of the two archetypal Ellis stories; it and Transmetropolitan, […]

  15. […] The end of this series (or getting there) was clearly a struggle for Ellis, and no wonder. By his own admission, his own illness as well as the illness and death of his father (among many other factors) are […]


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Miss Piggy?s Teaches of Peaches

Coilhouse - 20 Nov 09

Every time an issue of the magazine goes to print, things somehow turn Highly Inappropriate here at Coilhouse. This is apparent to anyone who was there on Twitter during the hours of our final revision deadline last night. And it’s only going to get worse before Issue 04’s out. So to celebrate, a video of Miss Piggy singing “Fuck the Pain Away” by Peaches. It’s that kind of day.

[via Shannon]


Post tags: Madness, Music, Puppetry

claytoncubitt: Will Blanche, ?The Newly Constructed Towers of...

Brian Wood - 20 Nov 09



claytoncubitt:

Will Blanche, ?The Newly Constructed Towers of the World Trade Center Seen From the South Side on West Street, May, 1973? (via These Americans)

See also: Mitch Epstein, ?West Side Highway, New York City? [looking towards World Trade Center] 1977

Percy Jackson trailer

Kung Fu Monkey - 20 Nov 09

Seriously, if I were 12, this would have melted my brain. I love this trailer.

JOURNAL: How to Break and Open Source Insurgency

John Robb - 20 Nov 09

Short Answer:  divide it.

It's long been my contention that Iraq was stabilized at an acceptable level of controlled chaos due to a happy accident by al Qaeda (in an attempt to expand/lead the loose insurgency in a new direction).  What did they do?   They blew up the Golden Mosque in Samara in 2006.  This act of symbolic terrorism did indeed disrupt social networks as anticipated, however the consequences were ultimately disastrous for the Iraqi open source insurgency.  

Baghdad_Ethnic_2007_late_smThe reason for this is it broke the dynamics of the open source insurgency in ways the US and Iraqi government's COIN efforts could not.  First, it created a permanent split between Sunni and Shiite insurgent groups/militias.  Coopetition ended.  Second, it motivated large Shiite militias to start an ethnic cleansing of Sunni areas.  This put acute pressure on Sunni guerrilla groups who were too small (by design to avoid US counter-pressure) to defend themselves against large militias operating in the open.  The result was an opening, very close to the one I described in my 2005 NYTimes OpEd, that allowed the US to convert Sunni guerrilla groups into militias that were not loyal to the central government (in direct contradiction to its COIN manual).   

It's a nice example of the dynamics of many to many conflict, social network disruption, and the development open source counterinsurgency.

See this excellent description at the blog, "Musings on Iraq" for more detail on the ethnic cleansing operations.  It also includes this money quote: "the majority of the Sunni insurgency gave up and switched sides to align with the Americans rather than face annihilation at the hands of the Shiite militias, Al Qaeda in Iraq, or the United States."

NOTE:  it's pretty clear from the above that social network disruption (either through attacks on symbolic targets or blood and guts terrorism) is like playing horseshoes with live hand grenades.  It's ultimately a losing strategy for advancing an open source insurgency.  Social network disruption is very likely to break standing order 6:  don't fork the insurgency.

Twitter Updates for 2009-11-20

Girl Farts - 20 Nov 09

LINKS: 20 NOV 09

John Robb - 20 Nov 09

Some random items of interest:

  • Vigilante militias in Rio are displacing the drug gangs -- favelas under the control of militias has grown from 108 in 2005 to 400 in 2008 (out of 965).  Why?  They have a better (albeit parasitic) conflict/business model than the drug gangs since they act as a substitute for missing public goods/services normally supplied by the government.  First, they provide a minimal level of security and conflict adjudication.  Second, they make more money than the drug gangs by "taxing" everything from propane to cable TV to the gray market.  
  • US gray economy estimated at $1 Trillion (not including criminal, outside of the evasion of taxes and regulation, activities) and growing faster than the "legal" economy.  
  • Proposal and wiki for an open source fabrication lab.
  • Somali pirates are expanding operations into the Indian ocean.  The combination of positive feedback loops (maritime insurance + rapid payoffs by crisis negotiators) and legal ambiguity (the biggest fear of a western navy and governments is that they might arrest a pirate -- prompting a massive/expensive legal tussle with few certain penalties and the forced extension of a visa to the former pirate once he is released from his short incarceration).  Is a franchise model for other locales possible?
  • Yes-we-can-secede
  • A business group in Ciudad Juarez asks for UN peacekeepers.  Hilarious. "Ciudad Juarez, population 1.5 million, has an average of seven homicides a day, with the total at 1,986 for this year through mid-October."
  • Seccession.net.  County based secession effort.  

Untitled Post

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Yume no Byouin Project

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Yume no Byouin Project

Beautiful (and simple) site design featuring the illustrative work of Yorifuji Bunpei. Via Paul Baron.

Kodai

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Kodai

Coming up at the Kakitsubata gallery in Nakameguro is the show “Kodai,” running from November 25 until December 6.

Kodai

Kap Bambino

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