That Clever Bastard Paul Morley
June 15th, 2009 | music, researchmaterial
May just have reinvented music journalism for the early digital 21C, in partnership with print newspaper The Observer. Clever, clever bastard.
June 15th, 2009 | music, researchmaterial
May just have reinvented music journalism for the early digital 21C, in partnership with print newspaper The Observer. Clever, clever bastard.
WARREN ELLIS is the award-winning creator of graphic novels such as FELL
, MINISTRY OF SPACE
, PLANETARY
, and TRANSMETROPOLITAN
, and the author of “underground classic” CROOKED LITTLE VEIN
.
Coilhouse - 20 Nov 09
Every time an issue of the magazine goes to print, things somehow turn Highly Inappropriate here at Coilhouse. This is apparent to anyone who was there on Twitter during the hours of our final revision deadline last night. And it’s only going to get worse before Issue 04’s out. So to celebrate, a video of Miss Piggy singing “Fuck the Pain Away” by Peaches. It’s that kind of day.
[via Shannon]
Brian Wood - 20 Nov 09

Will Blanche, ?The Newly Constructed Towers of the World Trade Center Seen From the South Side on West Street, May, 1973? (via These Americans)
See also: Mitch Epstein, ?West Side Highway, New York City? [looking towards World Trade Center] 1977
Kung Fu Monkey - 20 Nov 09
John Robb - 20 Nov 09
Short Answer: divide it.
It's long been my contention that Iraq was stabilized at an acceptable level of controlled chaos due to a happy accident by al Qaeda (in an attempt to expand/lead the loose insurgency in a new direction). What did they do? They blew up the Golden Mosque in Samara in 2006. This act of symbolic terrorism did indeed disrupt social networks as anticipated, however the consequences were ultimately disastrous for the Iraqi open source insurgency.
The reason for this is it broke the dynamics of the open source insurgency in ways the US and Iraqi government's COIN efforts could not. First, it created a permanent split between Sunni and Shiite insurgent groups/militias. Coopetition ended. Second, it motivated large Shiite militias to start an ethnic cleansing of Sunni areas. This put acute pressure on Sunni guerrilla groups who were too small (by design to avoid US counter-pressure) to defend themselves against large militias operating in the open. The result was an opening, very close to the one I described in my 2005 NYTimes OpEd, that allowed the US to convert Sunni guerrilla groups into militias that were not loyal to the central government (in direct contradiction to its COIN manual).
It's a nice example of the dynamics of many to many conflict, social network disruption, and the development open source counterinsurgency.
See this excellent description at the blog, "Musings on Iraq" for more detail on the ethnic cleansing operations. It also includes this money quote: "the majority of the Sunni insurgency gave up and switched sides to align with the Americans rather than face annihilation at the hands of the Shiite militias, Al Qaeda in Iraq, or the United States."
NOTE: it's pretty clear from the above that social network disruption (either through attacks on symbolic targets or blood and guts terrorism) is like playing horseshoes with live hand grenades. It's ultimately a losing strategy for advancing an open source insurgency. Social network disruption is very likely to break standing order 6: don't fork the insurgency.
Girl Farts - 20 Nov 09
John Robb - 20 Nov 09
Some random items of interest:
Jean Snow - 20 Nov 09

Beautiful (and simple) site design featuring the illustrative work of Yorifuji Bunpei. Via Paul Baron.
Jean Snow - 20 Nov 09

Coming up at the Kakitsubata gallery in Nakameguro is the show “Kodai,” running from November 25 until December 6.

WarrenEllis.com runs on a Wordpress engine. If you've read the whole page you may want to return to the top, subscribe via RSS, or click through to the Whitechapel Forum.

Interesting combination of formats, but it took forever to load on my netbook. It may just be my browser or flash player, I’ll check it out again on a different machine. But I like the way it used the browser space.
Interesting, yes. However, scrolling through huge blocks of text in Flash is still torturous.
And dude needs to edit his interviews. The Craig David one is 90% inane.
It’s still a very compelling fashion in which to present your average column. I particularly like Morley’s emphasis on making the column in this format a distinctly un-self-contained thing, where the connecting wires (his column and who he interviews for his column and what they say and what they happen to perform that night) reach across distances and don’t necessarily connect back to the origin.
Horrible reading blocks of text in Flash as mentioned above. And mobile functionality is near non-existant. Like the idea, it’s just the technical execution that lets it down.
“And dude needs to edit his interviews”
No. Totally missing the point. He DOESN’T.
Could have done without the flash, yes.
[…] (Hello to anyone coming here from Observer Music Monthly. The post they were citing is very short and is here.) […]
Woo. Great writing, and very nice work by Camera Obscura, as well. Thanks for the link, Warren.