On Digital Magazines

June 9th, 2009 | brainjuice

A passing half-cooked notion: this article on ReadWriteWeb talking about digital magazines is less than impressed with the digital-magazine version of PC WORLD because it doesn’t have the interactive bells and whistles of AVANTOURE magazine, cites the embrace of the digital magazine format by +h, and comments that "the savior of digital magazines though will be the increasing market penetration of eBook Readers, such as Amazon’s Kindle and Sony’s Reader device."

So long as they can use Flash. Because when they say digital magazine, they mean Flash magazine.

Which is fine. But if we’re going to talk about interactivity — and RWW says of PC WORLD

We perused the June edition, but didn’t see a lot of interactivity… PC World hasn’t fully escaped the shackles of print. In fact it seems very much like the print magazine simply transplanted into an eBook…. it still has a few tricks to learn about digital magazines by the look of it

then let’s talk about being able to handle the text. I can’t copy/paste out of a Flash magazine. In fact, it’s probably easier for me to slap a page of THE WIRE on to the scanner and email out a scan than it to try and repurpose anything out of AVANTOURE. A Flash magazine is in fact the replication of the paper experience on the screen, with the addition of video and sound — not miles away from the CD-ROM magazines of the 1990s.

A digital magazine is something I can read on a netbook or, especially, a phone. A digital magazine is something that gracefully shifts down to embrace the equipment I’m trying to view it on. If you’re setting the technological bar at an immovable altitude that demands I go to a well-equipped laptop or desktop to view it, then it’s not a digital magazine at all — it’s a digital installation.

And that’s fine, But, you know, don’t bullshit me.

(All of which sounds crankier than it should, but I’m having one of those weeks, ha ha shut up)

16 Responses to “On Digital Magazines”

  1. Flash magazines are, generally, set up like that precisely so that people CANNOT copy and paste text from them. So terrified are they of people stealing their oh-so-brilliant words and ideas. I’d be more worried that nobody was listening if I were them.

  2. Fully in agreement. Flash only sites have always bugged me for just those reasons. I like having the option of linking to or excerpting from anything that catches my fancy. Expediting the flow of information -is- one of the major points of this whole shebang, after all.

  3. My preference: A plain-old PDF file with a large enough font so as not to cause eyestrain. I often convert web pages to PDF for later reading on my netbook.
    The Summer edition of H+ magazine has a PDF download that is much nicer than past issues: the pages are stacked vertically rather than side-by-side. This results in my not having to scroll left-to-right. H+ sacrificed their two-page article openings for my benefit, and for that I am grateful.

  4. rrrrrr…
    ARF!
    go GET ‘EM! most people that use websites are more savvy than the people that own them (notice i didn’t say “the people that make them”). just another reason companies need to make it easy for customers to make suggestions…

  5. It’s not exactly impossible to copy text from a flash magazine, just take some screenshots, chop out everything but the text and run some OCR software.

  6. @Dr. Dirlewanger – a more practical option is “close the window with a fucking hammer and never blight your browser with that site again.” These Flash sites are clearly produced for the benefit of Flash designers and the enthralled toddlers who pay the bills, certainly not for anything to do with business or readers.

  7. Hear, hear!

  8. I’d actually argue the crucial medium for a truly digital magazine is a “sequential” wiki. Conventional tech magazines suffer from the constant influx of newbies and exodus of elite users. If they stop doing introductory articles they loose the newbies, but if they don’t have advanced articles they loose the elite. A sequentially updated wiki addresses the problem by offering a range of basic to advanced articles allowing the magazine to cater to a much broader range of readers.

  9. [...] Ellis on digital magazines: A digital magazine is something I can read on a netbook or, especially, a phone. A digital [...]

  10. I work for one of those companies that make Flash-based magazines and as a long-time blogger, I’ve always hated the lack of copy and paste. In this post, there’s some speculation that publishers want it that way, but I can tell you from experience most wouldn’t mind if the technology allowed for it.

    If you dig into the Flash and Flex forums, you’ll see it’s coming down the road, sooner rather than later, and for all of the reasons you say. And when it does, readers and publishers will both be better for it.

    You’re also correct that the magazine shouldn’t require a specific device. We’ve got a mobile version, a Kindle version and an accessible version for the visually impaired. If a publisher pays for them, we detect what device you’re on and serve up the proper version for you.

    Marcus Grimm
    Marketing Director
    Nxtbook Media

  11. > A digital magazine is something that gracefully shifts down to embrace the
    > equipment I’m trying to view it on.

    Something like [ markdown ][1], which is a .txt/.html conversion thing, and a converter for whatever you’re viewing it on would be cool for this. Mainly because if you look at it without conversion, in notepad++ or whatever, it’s supposed to still be readable. (This comment is written using it’s text .)

    [1]: http://daringfireball.net/projects/markdown/basics “markdown”

  12. FWIW, text being not copy-able in Flash is just a settings issue, in the text box function. All text in a Flash site can be copy and paste-able, with a simple click.

    The reason it is mostly kept turned off has more to do with static designs, where the designers wants things locked into a grid that is not fluid in the HTML.

  13. Flash websites are, in general, designed by lazy dumbfucks who lack the comprehension to see that half the crap they’re doing in Flash can be done perfectly well -without using Flash-. Even then, you can use Flash sparingly, in such a way as to neither a) interrupt the reading experience and b) be, oh I dunno, accessible to the visually impaired (i.e. 10% of your audience).

    Flash is almost wholly unnecessary for anything of real value on the web, -especially- anything text-based.

  14. Having been a web designer for the last ten years I absolutely agree with the perspective on Flash. Even if you can adjust settings to make Flash text accessible, why would you? To me, Flash is an engine for motion content creation, not for content management. I use Flash to make banner ads and cool pieces of motion design CONTENT. Other than making film websites in Flash (because film people insist on it mostly) I’d never make a website in Flash unless I hated the people who were going to use that website.

  15. [...] of Ellis, I enjoyed his dissection of what it means to be a “digital magazine,” and how that ought to be different from a [...]

  16. [...] On Digital Magazines (warrenellis.com) [...]


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Monocle Mediterraneo Missteps

Jean Snow - 08 Sep 10

Monocle Mediterraneo

I finally received my issue of the Monocle Mediterraneo summer newspaper today, but it wasn’t easy. I ordered it in early August, and after a month going by with still no paper in my mailbox (they promise delivery in two weeks) I finally decided to get in touch on Monday. To their credit, they immediately got back to me, and said that they would send me another copy using registered mail, and it has arrived today (although I suspect it may just be the original issue that was mailed out, which would mean it took 5 weeks for delivery).

The reason I bring this up is because from the feedback I’ve gotten through Twitter after I started wondering “out loud” where my issue was, I got quite a few responses from others having similar problems, so my example is far from being an isolated case. What’s to blame? Is it the UK mail service? It is rather disappointing to receive a copy of something that celebrates summer in September, a frustration compounded by the fact that a few weeks ago I stopped by the Monocle Shop in Aoyama and saw it sold for 500 yen — ordering it online costs 7 pounds, which is almost double. Quite surprising considering that the Japan cover price for regular issues of Monocle is 2310 yen (almost $30), which itself is ridiculous.

But despite these complaints, it really is a beautiful thing. The paper’s smell may have turned into a joke, but its pages really do have a great, almost nostalgic odor. I love the format and the size, and would really like to see more publications/magazines use it — and it sounds like we can already expect Monocle to repeat the experiment during the winter holidays.

Test Patterns Are Everywhere (in the Industry)

Jean Snow - 08 Sep 10

TV Test Pattern

As a follow-up to yesterday’s post on the use of test patterns as a graphical element, many people reminded me on Twitter that it’s still very much in use in the industry (video and TV production) or film school, and so a lot of people still deal with these quite regularly, so it’s not that far fetched to still be in use as a graphical association with the medium. I guess we should treat it the same way a film reel is still often used to represent anything that relates to movies.

Remembering Ana Mendieta

Coilhouse - 08 Sep 10

Tonight, I can’t stop thinking about one of the more influential, yet relatively obscure artists at work during the post-Happenings decade. Ana Mendieta:


From Ana Mendieta’s “Body Tracks” series, 1970s.

It’s all too easy to scoff at raw, bloody, chthonic feminist performance art these days. Hell, it’s all too easy to scoff at just about anything that whiffs of pussy power. After all, this is 2010! No need for histrionics, right? We’ve been liberated, reborn. We’re fierce and comfortable, right? We’ve seen it all a hundred times before… rrrriiiiiight?

Then again, what Alice Miller said about scorn holds a lot of sway: ?Contempt is the weapon of the weak and a defense against one’s own despised and unwanted feelings.? In light of that assessment, whether one chooses to roll their eyes or not, Mendieta’s (earth-)body of work, and the circumstances under which she died, resonate as much right now as they did in the 1970s and early 80s. (Although, come to think of it, there were plenty of eye-rollers then, too.)

In any case, on the 15th anniversary of her mysterious death, I’m lighting candles for Ana Mendieta and wondering what comes next.

(Read more after the jump.)


Read the rest of Remembering Ana Mendieta


Post tags: Adornment, Art, Flora & Fauna, Gender, Grrrl, Memento Mori, Multiculti, Revolutionary, Sculpture, Sexuality

Cthulhu Cthursday: The H. P. Lovecraft Film Festival(s)

Ectoplasmosis - 08 Sep 10

That’s right. Los Angeles this weekend. Portland, Oregon next month. Can’t say I’ve been, unfortunately, but always hear about good stuff getting screened at the fest.

After you watch Mike Boas’ promo above, you can check out the official site for the festivals.

H. P. Lovecraft Film Festival
Promo by Mike Boas [Youtube]


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NEXT 2010 talk

Open The Future - 08 Sep 10

I was in Denmark last week, speaking at NEXT 2010. The subject... geoengineering (dun dun DUN).

Here's the talk.

When I watched a part of it, the sound was off-sync with the video, so fair warning.

And fun game for any of my talks: count the "Jazz Hands"!

Maleonn?s Second-Hand Tang Poem

Coilhouse - 08 Sep 10

Second-hand Tang Poem, Maleonn’s series from 2007, is only a small sample of a portfolio overflowing with surrealistic delights, but it is among my favorites. These black and white dioramas tell the story of a mystical, far off land ? a tale both somber and silly. It’s a dichotomy seen throughout his work and he uses this balancing act to great effect. His work isn’t on exhibition in the US at the moment, but he does have a show at Blindspot Gallery in Hong Kong.


Read the rest of Maleonn’s Second-Hand Tang Poem


Post tags: Art, Fairy Tales, Photography, Surreal

LINKS: 8 SEPTEMBER 2010

John Robb - 08 Sep 10

Some items of interest:

  • OpenPCR.  An open source version of a high cost tool for biohacking, got double the funding it needed on Kickstarter.  More on the team behind it.
  • Inside/outside refrigeration/cooling system.  Begs the question:  what would be the savings of a refrigerator that leveraged outside air temp intelligently?
  • Shot spotter.  Being installed within lots of American cities.  Audio surveillance that can locate a gunshot within 35 ft.  See inset. Shotspotter
  • Gang maps of LA.  The alternative political landscape.
  • Quran burning in Florida.  Right Wing Extreme, an armed militia, will protect the "Dove World Outreach Center" during it's first annual 9/11 Quran burning.  RWE is currently running a poll on its site:  "Do you think it's time for a second American Revolution?"  Charles C points out that RWE has withdrawn from the effort (see comments below).
  • Haystack.  A project to foil national firewalls and state monitoring in Iran (China and Egypt next). Newsweek did an article on the leader of the project, Austin Heap and this turned up: When I first met Heap in January, he was regularly shuttling to Washington, D.C., for meetings at State and Treasury and with senior lawmakers.  
  • Global police crack down on the open source insurgency, the Scene. They (the police) just wanted to know who or whom had used two different IPs during a couple of dates in 2009. Since we did not have this information (no logging) there was no information and/or hardware for them to seize. The police did not enter the datacenter, only the office, so no servers or network have been touched by them.

JOURNAL: GG Entrepreneurs Displace Mexico's Control Over PEMEX

John Robb - 08 Sep 10

Global guerrilla entrepreneurs, super-empowered by direct connections to the dominant global marketplace (a market that is relatively indifferent to the provenance of the supplies it demands), are taking control of the Burgos basin, home to Mexico's biggest natural gas fields.  To accelerate this seizure, these enterprising guerrillas (likely a Zeta offshoot) are kidnapping oil workers working for PEMEX (as Zenpundit kindly notes, this is a playbook we have seen before -- India, Iraq, and Nigeria).  Here are some choice GG quotes from the LATimes article about it:

"How is it, that Pemex, supposedly the backbone of the nation, can be made to bow down like this?" -- relative of a kidnapped worker.  

"These are territories where the organized crime infrastructure, inside and outside of the police forces, has established power ? a parallel power, a parallel government. That territory is in the hands of a parallel power that has penetrated the government at all levels." Alejandro Gertz   NOTE: This is a nice description of a hollow state.

NOTE, we'll see variants of this in the US as the global economic depression worsens. 

Thor 614 Out (Tomorrow)

Kieron Gillen - 08 Sep 10

In the US today tomorrow and tomorrow tomorrowtomorrow in the UK, my Thor run reaches its conclusion…

(Unless you’re in Canada. When it reaches it comes out nottomorrow. As in, today.)

Here’s CBR’s review and and you can read the preview here. Which thankfully cuts off before something particularly spoilerific. And as much as I’d like to do a looking-back-on-my-run post, I’m resisting saying anything else, because I’d risk doing the Spoilerific thing myself. It’s not over until those 22 pages fall between your fingers, with our array of final confrontations and the reading of the fine print.

As a whole, the run’s worked better than I could have ever hoped for. None of the three stories were in an easy situation, and that they even worked at all pleases me. I’ve few regrets about what I did and only a handful of what I didn’t do (More with the Broxtonites, Blake, Sif). And all those regrets aren’t really regrets at all, because I don’t think I could have played it any other way. It helped that I was working with such a fantastic string of artists, all of whom were up against it as much as I was. Billy, Rich and Doug - I salute you. Niko for New Mutants too. And, as always, McKelvie gets his own special, less complimentary kind of salute.

Most of all, I’m pleased that, no matter how random its ever-extending nature seemed to be, it’s a body of work. Stick those 11 issues of Thor with the Loki and New Mutants issues in a trade paper-back, and you’ve got something with clear themes and defined character arcs. Also, lots of hitting. The genre will not be denied.

It’s been fun and thanks for reading to those who read.

*****

Another thing strikes me. This is the last comic I have out before November when Generation Hope debuts. When I’ve had as much on the shelves in the last year as I have, that seems like a spookily large gap. The odd thing being, I’m not writing any less comics now than I have been. This month is Generation Hope, my second Avatar book and something else. And it’s a fun something else which I suspect will cause the most communal eyebrow raises since… well, since I was put on Thor.

So, expect this blog to lean more towards interview posts in the near future. Expecting shouting.

What Do These Colors Mean to You?

Jean Snow - 07 Sep 10

Rolling Stone

Last night I was reading through the latest issue of Rolling Stone — really loved the cover feature on Mad Men, as well as the profile on SNL creator Lorne Michaels — and seeing how they branded the issue’s theme (“Fall Television”) made me wonder just how relevant that particular imagery really is these days. The branding in question is what you see pictured above — it appears with all of the TV-related articles in the issue — and is of course inspired by the TV test patterns of old (pictured below, and technically known as “SMPTE color bars,” as I learned through Wikipedia).

Television Test Pattern

As a retro effect, it works — I certainly remember them — but has anyone under the age of 20 ever seen one? As far as I know — and keep in mind that I’ve been living in Japan for 10+ years — they haven’t been used in at least a decade, and not just because they’re not necessary anymore (in this world of digital sets), but also because we live in a world with 24-hour broadcasts.

I’m just curious as to whether it’s still a good icon or image to use when referring to TV, although I’m the first to admit that I liked how it was used, and I can’t think of anything off-hand that would work better.