The 4am: 4

October 26th, 2007 | podcast

The 4am is a mixtape file containing nothing but music donated directly by new and/or unsigned acts. The 4am is of no set length and is released on no set schedule. The 4am is mixed down to 128kbps. The 4am is soluble in water. The 4am does not contain nut products.

The 4am needs music: If you want your music to be played on The 4am, email your 128kbps-plus mp3 files directly to warrenellis@gmail.com. The last episode has been played 13000 times.

4: Nights Draw In

Apparently the clocks go back at the weekend. Or is it forward? I forget. I barely get to see more than three hours’ daylight as it is. “Heaven Is A Dark Place” reeks of the night, of urban nights, loping and shadowed. I’m in that kind of mood, where the knifefight-guitars of “Milk Road” fit right in.

Harlot insist that “Harlot” is pronounced “har-low.” Harlot are miserable gits. They only sound happy because they’re thinking about horrible things happening to other people. AWAKE are, if you like, evil shoegaze. They’re the people who fucked shoegaze in the night, puked blood in shoegaze’s toilet, made a shank in shoegaze’s bathroom and cut shoegaze’s boyfriend, and then left before dawn with all shoegaze’s money. There’s just something sleazy about the sound of “Whattanight” that you rarely hear in the field.

“The Bitter Dark” is the second and last piece that Cornish rural-drunktronic magician Kemper Norton gave me to play. Play late at night, with the lights out.

 
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The Hungry Ghost – “Heaven Is A Dark Place” (3:51)

Poetry In A Machine Age – “Milk Road” (1:39)

Harlot – “Drown Me” (2:46)

AWAKE – “Whattanight” (5:56)

Kemper Norton – “The Bitter Dark” (2:56)

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