(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
]]>Now she’s moved on to: how to start thinking about making a project.
…if the feedback I’m getting is any indication (and I’ve got comments disabled here because they don’t suit me, but I do pay attention to Twitter and I read everything on Whitechapel) — there are a LOT of you right. on. that. cusp. of taking the first step. So look, I know I’ve been giving you lot a hard time about “just getting it done,” but before I get into my list of Stuff What I Learned Working With POD sometime tomorrow, I wanna back up a step and talk to you.
Here’s what you need to do, right now, tonight. No, NOT tomorrow morning, or this weekend, or once your work rush has let off a little, or after the holidays, or sometime in the New Year: Right. Fucking. Now….
And from there to book-specific notes and observations about working with a POD system:
…how you go about putting your book together is completely up to you, and what you’re comfortable with. The Lulu templates will give you a bit less control over what the finished product looks like, but it’s a really good place for the people that are just starting out. Do you already understand why your inside margins need to be a titch wider than your outside? If that question just kinda terrified you: that’s all right, but you probably want to start with the templates. Trust me, your book is still going to be lovely, the important thing for you is just getting your content into a pretty and readable format.
And, today, the begininngs of how we run FREAKANGELS the way we do.
Wil’s been all over Ariana’s THIS IS HOW WE FIX SHIT WITH WRENCHES posts during this week, and has a distillation of what he’s taken from them at this link here:
]]>This is incredibly inspiring to me, and I hope that it’s just as inspiring to indie artists everywhere. Why not take a creative risk and see if it works out? Unlike the old days, when we had to purchase a lot of stock ahead of time and hope we could sell it, we can just Get Excited and Make Things, knowing that the very worst that can happen is that nobody likes that thing we made as much as we thought they would…
(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
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(Join in by sending a self-portrait to warrenellis@gmail.com.)
]]>
(Join in by sending a self-portrait to warrenellis@gmail.com.)
]]>
(Join in by sending a self-portrait to warrenellis@gmail.com.)
]]>(We like our pirates around here. The creeks of shoreland Essex were the byways for pirates all the way into the 19th century, after all)
Radio Essex broadcast for a little over a year. They may have been the first British radio station to broadcast the likes of John Lee Hooker, I’m not sure — I know they played a lot of blues and R&B that wasn’t getting much attention elsewhere. I’ve read that Radio Essex was in fact criticised for being "weird" in 1966. Roy Bates, who set Radio Essex up, later decamped to the sea fort Roughs Tower, which you may know better as the principality of Sealand.
SHIVERING SANDS was my first POD book. A year from now or thereabouts, KNOCK JOHN will be the second.
(Superb image of Knock John by Richard Brown, found on a Flickr search)
]]>Take a picture of yourself, email it (not a link to it) to warrenellis@gmail.com and I’ll run as many of you as I can here during Friday.
Why do I do this every year? I dunno. Kind of a tradition now, since the days of the WEF and Die Puny Humans. I have this idea in my head that the internet, like Soylent Green, is made out of people, and it doesn’t hurt to see the people you’re with when you come here.
It begins.
]]>Jamais Cascio is practising his stance for the day he takes over the world:
Katie West is… god, I dunno… pink?
She’s also in Matt Sheret’s PAPER SCIENCE, which I’m going to need a copy of, young man, if you’re reading this…
Zo is Zo:
Templesmith’s new book is looking good:
(Bruce lives out of his laptop, and it accrues memetic furniture as it rolls around the world with him.)
Ellen Rogers photography for the Dec 09 issue of i-D:
The CW will again try to adapt Warren Ellis’ comic book "Global Frequency," this time Scott Nimerfro will script the pilot.
Which I discovered because half a dozen people retweeted it at me within about thirty seconds of it landing.
I haven’t been cleared to comment yet, so I can’t really add anything to this. I’ve spoken briefly to Scott Nimerfro — by which I mean I threatened to have him stabbed, and he thanked me and told me a funny story about how he’s had worse threats — and he is Okay.
Anyway. Yes. Shouldn’t say any more until I get the nod from the studio. But yes.
(Also, yes, I did tell John Rogers. But John, you know, has his own hit show LEVERAGE these days. One of his temple houris told me that John, from the depths of the bed made of golden vaginas that they wheel him around in, wishes me luck.)
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(is living in Greece for a while)
(and these are his photos of his time there so far)
]]>Von Egidy sees her suit as a step towards a grander vision of people soaring like birds, not just gliding. "There could be nothing more challenging on Earth than to explore the limits of direct human flight. We are in fact far better suited to flight than we believe."
(and wearing R Stevens squid socks)
Good morning/afternoon. This is Warren Ellis dot com.
Through this website and this Cafe Press store, we’re going to release one t-shirt a week. It’ll go live on Monday… and it’ll die Sunday night — midnight UK time, more often than not. Each one lives for a week, and then it’s replaced by the next week’s shirt. Until I either run out of dumb ideas or Ariana’s brain explodes.
So, every Monday, I’ll post the new shirt here, and you can peer at it more at http://www.cafepress.com/electrophonic.
Anyway. I present to you — this week by popular request on Twitter — T-Shirt Of The Week #004: SPACE BASTARD:
We also offer a couple of perennial items. Mostly because I wanted one of these for myself:
(And also a MAN COOK MEAT WITH FIRE "splatter-shield", because Ariana’s crazy)
Thank you for your kind attention.
This is Warren Ellis dot com. Good morning.
And this is the brilliant Ellen Rogers:
Photo: Tazlimur
Costume, Hair/make-up: Jessica Rowell
Model: Zoetica Ebb
Couch courtesy of Allan Amato
In 1982, Gelographic RadioTelevision co-broadcast a test transmission for the tentative BBC5 channel.
Although the station idents were deemed a massive success, sadly the only known survivors of this viewing were unable to be traced, due to radiation issues. This archive footage has been recently unearthed, and provides a tempting glimpse into what those who watched through the smoked glass were able to see.
The musical accompaniment, acclaimed in some quarters, features on the new Moon Wiring Club album ’Striped Paint for the Last Post’, due ’sometime’ November. Certainly before the feast of Syllabub in any case.
Remember: confusing electronic music is a great British tradition.
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