Magazines And Kindle

January 16th, 2011 | daybook

My feeds are full of people talking about magazines and iPads. I would like to read more magazines on my Kindle.

I have a digital subscription to LOCUS, the journal of record for the science fiction publishing industry, but getting it on to the Kindle is slightly more of a fuckabout than it should be. My Kindle lives on my desk, propped between my Buddha Machine and my Gristleism box. I should be able to flick it on to wifi, have magazines automagically load on to it, and flick it off again. Which I could, if I wanted something off Kindle’s shitty selection. (Like the appalling and overpriced port of THE ECONOMIST.) Magazine publishers who decide to improve Kindle would get great love from me.

Because you know what’s great about Kindle? It’s not just about the grey slate. My iPhone is a Kindle, through the Kindle for iPhone app. My computer is a Kindle, through Kindle for PC. There’s a Kindle app for your iPad, too, and for my daughter’s Android phone. Kindle will put its disease into most connected devices, and will sync across all of them.

I do have a digital version of THE WIRE as part of my subscription to that magazine. But, I have to say — like a lot of magazines, the design is not the reason to buy it. THE WIRE’s magazine is in fact famously practical and minimalist. If all you’re really selling are the words — why aren’t you just shoving them into a Kindle wrapper, instead of giving me a 250MB download of exported graphics files?

More Kindle magazines, please. Thank you.


The Girl Who Played With Fire (film)

January 15th, 2011 | stuff2011

Katie West commented to me the other day that she’d started keeping lists of the culture she consumed this year, because doing a year-end list always favours the last five things you saw or read. So I just watched this:

THE GIRL WHO PLAYED WITH FIRE, Swedish language. The odd thing about this adaptation of Larsson — as opposed to the same team’s adapation of DRAGON TATTOO — is that the changes made from the book seem to make it a better adaptation, but not necessarily a better film. It’s a streamlined true Larsson, rather than a less-true Larsson optimised for film.

The ending of DRAGON TATTOO, the book, is like a great orchestral strike followed by two hours of variations on minor themes as members of the orchestra drift off one by one until there’s just some geezer left tinkling a triangle. The film version ends with a nice little rimshot. PLAYED WITH FIRE is stripped down, but is so protective of the spine of the storytelling that the ending, which in the book is a collision of plotlines… really kind of drags. Kinder to the book in lots of ways (crueller in a few: Bublanski becomes a cartoon, for example, and the more gothic aspects of Niederman are erased, which also affects the climax). Less successful as a film.

Still a joy to watch Noomi Rapace and the undervalued Michael Nyquist work.


Trish Keenan

January 14th, 2011 | brainjuice

Trish Keenan, of the band Broadcast, died this morning of pneumonia following a swine flu infection.

I first discovered Broadcast around 1997, and their HA HA SOUND remains one of my favourite albums. Their 2009 collaboration with The Focus Group, WITCH CULTS OF THE RADIO AGE, was barely off my playlists for a year. Keenan described that record to Joe Stannard in THE WIRE like this:

“I’d like people to enjoy the album as a Hammer horror dream collage where Broadcast play the role of the guest band at the mansion drug party by night, and a science worshipping Eloi possessed by 3/4 rhythms by day, all headed by the Focus Group leader who lays down sonic laws that break through the corrective systems of timing and keys.”

She was an artist and channeller of the authentic British strangeness, a medium singing the glossolalia of radiophonic culture. I’m saddened and not a little horrified by her passing, and the cone of silence it leaves in the world.


The Not .99 Method

January 14th, 2011 | researchmaterial

This might be fucking brilliant. A method for selling ebooks and comics to devices that doesn’t involve Apple. Laid out in what looks like almost idiotproof detail by Brett Jackson.

THE NOT .99 METHOD: How to roll-your-own e-payment and delivery system for selling your books & comics so quick and reliable that not even Apple can take it away.

This do-it-yourself iBookstore alternative…

Is DRM-free (simple, shareable and readable on any device forever).
Lets you set the price. (Well… NOT __.99, naturally.)
Can sell, download and read works immediately.
Can never be censored, redacted or removed.
Charges nothing. You keep all the money (or almost all the money).
It’s a great free and simple method for selling indie books/comics for the iPhone and iPad (and every other mobile reading device).

THE CUSTOMER’S EXPERIENCE

The customer uses their phone (or e-reader) to purchase your book/comic via standard text message (or browser URL) and then automatically receives a download link by email.

HOW TO SELL YOUR BOOKS/COMICS USING THE NOT .99 METHOD

This friendly 3-step method highlights uses common free online services (PayPal, Gmail & Google Docs) but feel free to make your own substitutions based on personal preference, terms of service and transaction cost.

Cory Doctorow, I summon thee.

If a bunch of people can make this work over a reasonably long period, say six months… then this guy needs a medal.


FELL #10 Script Done

January 14th, 2011 | daybook

Completed a couple of minutes ago and emailed to Image and Ben.

Don’t bug Ben about it, he’s very busy, travelling a lot and has a few health issues.


Experiments In Food: Red Sausage Fusilli

January 13th, 2011 | daybook

Paused from the comics writing to make dinner. Limited supplies meant invention. This is an adaptation of an old Jamie Oliver receipt. Ten years ago, Jamie Oliver and I were both in the ROLLING STONE Hot List. Today he’s a multi-millionaire with a media empire and I’m… not.

This is for two people. Weigh yourself out 140 grams of dried fusilli pasta. Or, in my case, notice that you only have 140 grams of dried pasta in the house.

Get yourself a dish, and put a pinch of crushed dried chillies in there. They can be surprisingly strong. It’s okay to use a tiny pinch, taste the food later and add more to the pan. But, seriously, they can obliterate the other flavours if you’re not careful. A pinch of smoked paprika. Snipping in some fresh chives with some scissors would be good. I only had dried to hand, and used a big pinch. Smash it all up a bit with the back of a teaspoon.

Whack a big frying pan or a wok on the heat, and splash a little olive oil in there.

Keith Floyd‘s mantra comes to mind at this point. No, not “drink everything.” This: “buy the best ingredients you can afford and do as little as possible to them.”

Find a bottle of red wine. I had a bottle of Isla Negra cabernet sauvignon/merlot blend knocking around, a Xmas gift. It was drinkable, if young enough that I kind of wanted to put a dart in its neck. NEVER COOK WITH ANY BOOZE YOU WOULDN’T HAPPILY DRINK. Pour yourself a glass to test it.

Take four good sausages. Yeah, that usually leaves two in the packet. That’s your lunch tomorrow. Once your oil’s hot, slit the ends of the sausages and squeeze the meat out into the pan. Yes, that’s right. MEAT ZITS. Squit. Splat. Ssssss.

Take a wooden spoon to your sizzling animal pus, breaking it up in the pan. Give it a couple of minutes, until the meat’s starting to change colour and some of the fat is starting to run out of it. Smash it more with your spoon. I mean, look at it. It’s meat worms frying in a pan. It needs to die. Then chuck the chillies and the other stuff in the dish all over it. It’s going to look more like mince now. Cook for ten minutes over a medium heat.

Get your water in the pot you cook pasta in and get it heating up. Have another glass of wine. It must be tested thoroughly. We are, after all, professionals.

Ten minutes have passed. Your pasta water is boiling.

Throw a large glass of red wine over the meat. Throw a good pinch of dried thyme after it. Stir it all up.

Dump your pasta into the boiling water, remembering to stir it regularly to stop it sticking and otherwise fucking about. It’s okay to do the squeaky little “no! please! not the boiling water! aaa” voice when you throw the pasta in so long as there’s no-one around to hear. It’s also okay to turn the heat down a bit if it starts foaming over.

Turn the heat under the meat down low, so it’s just kind of bubbling away quietly to itself. Your pasta’s going to take ten minutes to cook al dente, and so you’re going to let the wine cook down to about half its volume over those ten minutes. Have another glass. It would be rude not to.

Ten minutes have passed. Get your pasta off the heat and drained. Curl out a little knob of butter with the teaspoon and fling it into the meat, stirring it in thoroughly with your wooden spoon. Serve the pasta, then spoon the meat and juice out over it. If you’re my daughter, grate some strong Cheddar cheese over it. If you’re a human, then just fucking eat it. The end.


Station Ident

January 13th, 2011 | station ident

this is warren ellis dot com oh yes it is

(EG Gauger)


January 12th, 2011 | microlog

Matt Webb of BERG has returned to blogwriting with something of a vengeance. Hypnotism, animism, mathematics and magic at the speed of thought. Excellent.


January 12th, 2011 | microlog



Really wishing I could post some of Matt Brooker's pages for SVK. Absolutely gorgeous stuff. We're still working on it -- jokes are flying around about the book being cursed now, as I got sick as we started it, then Matt got sick, then as he recovered I got sick again. The book may kill us both off. Thankfully, we're not tied to a traditional solicitation and release process.


Maybe I'll try and leak a panel or two soon.


The Full IMPOSSIBLE GIRL

January 12th, 2011 | music

Kim Boekbinder’s album finally assembled into the complete unit. Stream it for free, click through to download it and toss her some money so that she can make more songs like “Impossible Girl #1″.


Station Ident

January 12th, 2011 | station ident

this is warren ellis dot com and i am very tired and also coughing a lot

(katie west)


BREAKING FREE: Tintin The Revolutionary

January 12th, 2011 | comics talk

A guy called Frank Lynn asked me on Twitter if I’d ever seen this.

Seen it? I used to own a copy of this short-run black-and-white comic, back in the Eighties. Lost it years ago, of course. Thanks, Frank. Am amazed that the internet can still do its thing and bring back even the fringiest of cultural artifacts.

In this instance, a detourned leftie Tintin and friends in dead-end Thatcher Britain fomenting a working-class uprising.


January 11th, 2011 | comics talk

Loving Emma Rios’ layouts on this sequence from OSBORN #2 (as written by Kelly Sue DeConnick):

(embiggening)


Heavy Ink

January 11th, 2011 | comics talk

This is my first full day back at the desk since last Tuesday, so I’m still catching up on stuff. Like this.

There’s an online comics retailer called Heavy Ink, owned and operated by one Travis Corcoran. Following the attempted murder of US Congresswoman Gabrielle Giffords (and the murder of Judge John Roll and several others), Corcoran was moved to post:

It is absolutely, absolutely unacceptable to shoot “indiscriminately”.

Target only politicians and their staff, and leave regular citizens alone.

Please!

He then posted a long, strange and weaselly explanation of why he felt it necessary to say that, which didn’t explain it at all. So, in the comments, someone pinned him down, and he said:

I don’t think that anything productive is going to come of killing either the senator or the judge, but, yes, I think that it is morally legitimate to kill pro-regulation senators and pro-regulation judges, if it can be done without harming innocents.

Obviously, I’d rather Heavy Ink didn’t sell my work, but I don’t have a choice about which stores order my books. However, if you do buy my work from Heavy Ink, would you please consider buying it from someone else instead?

And before the nutters start: yes, I’m sure this can be justified as your lovely American free speech and not hate speech or malicious communication, and yes, I’m sure he has a perfect right to say it and all that shit. Guess what? I have a perfect right not to like it, and a right to wish not to be associated with the nutter who spews it.


January 11th, 2011 | music


January 11th, 2011 | people I know

I should start a blog category called “Things That Are Apparently My Fault”:


Dear OpenOffice

January 11th, 2011 | brainjuice

Dear OpenOffice,

I have been using OpenOffice a long time. I have written uncountable pages of comics and graphic novels with OpenOffice. I wrote a novel on OpenOffice. I have recommended it to many, many people.

Yesterday I got a shiny new Windows 7 laptop. So, of course, I immediately loaded it with OpenOffice and went about recreating the macros that I can’t easily work without. I’ve been using the same macros for ten years or more, and, as I produce a lot of pages, they’re kind of hardwired into my workflow now.

Imagine my joy on discovering that you somehow managed to bugger up the macro system to the point where something like Change Case cannot be recorded either as a menu selection or a keyboard command.

(Also, you still haven’t fixed Page Numbers.)

(Also, if I write a Style to try and compensate for the macro fail, please arrange for OpenOffice to actually record that Style so it doesn’t vanish the next time I open OpenOffice. Thanks.)

I don’t really want to go back to Word, and will tough it out (providing the Style I wrote to compensate for the macro fail doesn’t vanish AGAIN). But, really, macros and page numbers aren’t a hard thing to fix. Sort your lives out, please, so I can go back to recommending you to people who think Word is all there is. (Like my daughter and her school.)