whitechapel 6oct10
October 7th, 2010 | comics talk
* Webcomics Week (Oct 7-14 2010) – You do a webcomic? Come and tell us about it, while everyone else is at NYCC.
October 7th, 2010 | comics talk
* Webcomics Week (Oct 7-14 2010) – You do a webcomic? Come and tell us about it, while everyone else is at NYCC.
October 6th, 2010 | brainjuice
October 6th, 2010 | researchmaterial
From Creative Review’s coverage of the Brighton Biennial.
…a series of photographs by Nick Gleis which reveal the interior opulence of the private jets owned by African dictators in the 1960s and 70s.
And that’s one of the problems with crazy sci-fi design in the real world: it never belongs to the people you want it to belong to, and it carries a completely different and sinister statement about who owns the future.
Versace doing SPACE:1999 set design. It should have been Freeman Dyson’s ride.
October 6th, 2010 | people I know
Russell Davies agonising a bit over what to write in his next WIRED UK column. I go through exactly the same thing for mine. At least I now know what to avoid agonising over this weekend.
Also, Russell, this?
I sometimes think all this talk of atemporality is an abdication of sci-fi responsibility. SF writers seem very keen to deny that they’re writing about the future. They’re not doing prediction, they’re telling us about the now. OK. Well. Pack it in and get on with some prediction.
SF was never really about prediction. It was about extrapolation from the present condition, usually (in the classical traditional) to observe and comment upon the present condition. Which isn’t the same thing. "Prediction" is sf’s side effect.
October 6th, 2010 | brainjuice, researchmaterial
Prettymaps– post-digital design decadence in action. Maps that don’t tell you a damned thing. Like hammering a tool flat so you can hang it attractively on a wall. Very pretty, mind you. But I’ve not seen a prettymap yet that I can use like an actual map. I’m cheating here, because I’m linking you to a prettymap that is being sold as a print. (Here’s a fairer link.) But presumably I’m missing the point of prettymaps in general. On the other hand, my GPS doesn’t show me the Doctor Who time-tunnel howlaround when I’m trying to navigate rural Suffolk.
October 6th, 2010 | researchmaterial
Charlie Huston continues to swing the hammer at the Mulholland Books blog:
You can’t, as the comedians are wont to say, make this shit up.
Facts, in these situation, kick the shit out of fiction every fucking time.
The present moment is born of the past. The future moment is born also of the past, and the now.
1 in 5 children born from the past into present poverty. How the fuck did that happen?
October 6th, 2010 | Work
On graphic novels that would make interesting film adaptations. Got a little punchy by this point:
….”Gone With The Wind” with Jason Statham playing all the roles and nut-punching alien coke-rhinos from beyond space in the laser-scorched plantation fields of Georgia…
October 6th, 2010 | researchmaterial
I am delighted to note that Alex Cox’ wonderful adaptation of Borges’ DEATH AND THE COMPASS, starring Peter Boyle and Christopher Eccleston, has been made available for free viewing by DailyMotion and the BFI. This film absolutely charmed me when I saw it on its original tv screening, many years ago, and I cherished a videotape of it until the thing all but dissolved.
Death and the compass
Uploaded by BFIfilms. – Watch feature films and entire TV shows.
October 5th, 2010 | brainjuice
October 5th, 2010 | music
BRANCHES feat. Carin – “C o o l K i d s.” I’m a complete sucker for this sound. Note first 12 seconds are silent.
October 5th, 2010 | Work
Cully got to visit the set in warm and wonderful New Orleans. They liked Cully. Cully’s a clever artist what draws the pretty pictures. Me? I got sent to Toronto in the middle of their worst winter in years. They were building shelters for the homeless out of frozen hipsters on Yonge Street…
October 5th, 2010 | comics talk, people I know
From OSBORN #1, written by Kelly Sue DeConnick and art by Emma Rios. Here’s a page. Link for embiggening. I got to see the script for this bit, which was complex and clever, and Emma’s nailed it. I’ve written a back-up story for this issue, which will be out mid-November.

October 5th, 2010 | daybook
Been in London, having meetings and stuff. Back home now. Normal-ish service resumes shortly.
October 3rd, 2010 | music
Today’s bon mot from Paul Morley in the Observer:

October 2nd, 2010 | brainjuice
October 2nd, 2010 | photography
Sent from my outboard brain