Links for 2009-11-24

November 25th, 2009 | brainjuice


Paul Pope

November 24th, 2009 | people I know

Life without Paul Pope art is no life at all.

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(link)


IGNITION CITY TPB 2010

November 24th, 2009 | Work

According to Forbidden Planet International, the collected IGNITION CITY will be out in February 2010, and apparently it’ll look like this:

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Links for 2009-11-24

November 24th, 2009 | brainjuice

  • African conflicts spurred by warming – environment – 23 November 2009 – New Scientist
    "Africa is poised to experience a surge in civil wars, causing nearly 400,000 additional battle deaths by 2030 ? all as a direct result of rising temperatures."
    (tags:war pol eco )
  • Nicholas Szczepaniak ? A Defensive Architecture | Interactive Architecture dot Org
    "Set in the Blackwater Estuary, Essex, his allegorical and provocative defensive architectures envisage the construction of a set of austere coastal defence towers that perform multiple functions within this dystopian future. The militarised towers are alive ? breathing, creaking, groaning, sweating and crying when stressed. Airbags on the face of the towers expand and contract, while hundreds of tensile trunks are sporadically activated, casting water onto the heated facades producing steam…"
    (tags:architecture )
  • Motion Comics
    "one of comics' greatest strengths is the idea of closure, or how readers fill in the gaps between panels. Motion comics do this for the viewer with extra sound effects and time. An unfortunate side effect of this is that while traditional comics enable us to read at our own speed, motion comics lock us into fixed durations." Which is why motion comics aren't comics, if you were wondering.
    (tags:comicstheory )
  • New global map of Mars suggests Red Planet once had ocean
    "?All the evidence gathered by analyzing the valley network on the new map points to a particular climate scenario on early Mars,? said NIU Geography Professor Wei Luo. ?It would have included rainfall and the existence of an ocean covering most of the northern hemisphere, or about one-third of the planet?s surface""
    (tags:space )
  • I traced my dad… and discovered he is Charles Manson | The Sun |Features
    "He says: "I didn't want to believe it. I was frightened and angry. It's like finding out that Adolf Hitler is your father. I'm a peaceful person – trapped in the face of a monster.""
    (tags:crime )

Music I Liked In 2009 [2]

November 24th, 2009 | music

Continuing my list (and yes, there will be more of these posts to follow, so don’t tell me what I’ve left off this list):

MONOLITHS AND DIMENSIONS, Sunn O))): the more I listen to this immense album, the more I think of it as four movements transitioning from the pagan to the organised church through an apocalyptic collapse into some awful, barren post-civilisational doomspace that fades to become a weirdly sylvan, almost innocent place. Of course, that could just be me. Never discount the possibility that I am a mad old man and completely full of shit. Anyway, yes, it all sounds a bit prog, but they pull it off as far as I’m concerned.

BROMST, Dan Deacon: perhaps not as gleefully mental as SPIDERMAN OF THE RINGS, but still a greatly entertaining record and a working-playlist staple for me over the summer. Very beautiful in places, and, I think, curiously revelatory of his conservatory background. It’s a record you can just spazz around to that also rewards a close listening, just to hear how he really builds that stuff.

"Skeletons," Yeah Yeah Yeahs: Off the album IT’S BLITZ. Honestly, much of the album left me cold. "Skeletons," though, approaches the heights of "Maps" (and if you don’t like "Maps," then you’re dead inside). Love as a long winter march.

"Dog Days Are Over," Florence And The Machine: similarly, I thought LUNGS was a weak album, and I suspect "Dog Days" will prove to be their One Great Song. (I have a half-arsed theory that 95% of bands have One Great Song in them, and I can prove this using an abacus, Manhattan Love Suicides’ "Veronica," and my right fist.) This one is the one: brilliant structure, some beautifully written lines, she sings like she knows what she’s talking about (which I didn’t get from "Kiss With A Fist, oddly), and she opens up her pipes and blows the door off.

SYMBIOSIS, Demdike Stare: this was a marvellous thing. World Hauntology, if you like: Middle Eastern musics, lo-fi drone and the hideous Arctic menace of Scando exorcists like Elegi, all whacked together with stark rhythmic instinct and crazed machine intelligence. I get the impression this record went way under the radar this year, and it really shouldn’t have.

More in a while.