8tracks: Spooklights
March 10th, 2010 | music
March 10th, 2010 | brainjuice
March 10th, 2010 | comics talk
We’ve been doing "Phonogram" for over 4 years, not including the years before the first series came out. Imagine if we could have just done the comic and not had to deal with any of the shit we’ve had to. We’d have been up to issue 44 now. Instead, we have 13 issues.
I feel frustrated. Enormously lucky, sure, but frustrated. We’ve done this wonderful thing we’re crazy-proud about. But if the whole economic system was just a couple of degrees to the left, everything would have been different. I mean, just to give you an idea about narrow the margins are between what we are and what we could be, if we were selling 6K instead of 4K, we could have done those 44 issues. The difference between breaking even and actually being able to do it in comics is insane. It’s like being kept under ice, clawing. I feel like a bonsai plant.
March 10th, 2010 | station ident
March 9th, 2010 | daybook
I have to write a column for WIRED UK and I don’t have a single good idea in my head. And when I went looking for inspiration I found this picture, which appears to be my friend Lisa doing something that I didn’t think my friend Lisa went in for. So I’m going to go away and look for inspiration somewhere else before something yiffy happens to me.

March 9th, 2010 | brainjuice
March 9th, 2010 | about warren ellis/contact/events
My name’s Warren Ellis. I write comics, graphic novels, journalism and anything else that people pay money for.
I’m the writer of the graphic novel RED, currently being made into a film starring Bruce Willis, John Malkovich, Helen Mirren, Morgan Freeman and a shedload of other famous people. I’m the writer of the GRAVEL graphic novels, under development for film by Legendary Pictures. I also wrote the novel CROOKED LITTLE VEIN.
I write here almost every day. A collection of the writing I’ve done here and elsewhere on the internet, SHIVERING SANDS, was published last year.
For people wanting to send me to their sites, wanting to email stuff or tell me about new music or send me tips or whatever, I’ve set up a Gmail account that I’ll check once every day or two: warrenellis [-at-] gmail com. This isn’t, I stress, my main email account, and it’s not for asking me when some comic’s coming out (there’s a FAQ for that). Always interested in new music, new art, new connections, new madness etc.
If you need to contact me about writing for print or web, please contact my agent Lydia Wills using the link in the righthand menu bar.
If you need to contact me about anything involving film, tv, games or other things that move, please contact my agent Angela Cheng Caplan using the link in the righthand menu bar.
If you (for god knows what reason) wanted to send me something physical, the best solution right now would probably be to send to my literary agency in New York City.
Warren Ellis
c/o Lydia Wills
Paradigm
360 Park Avenue South
16th floor
New York
New York 10010
I don’t have a solution for people living closer to me as yet. I stop in on my message board Whitechapel several times a day. I leave Twitter on most of the day. I still have an undead MySpace account — I keep it open because I look for music there.
March 9th, 2010 | received goods
A piece in the latest issue of Science shows that there’s a considerable amount of methane (CH4) coming from the East Siberian Arctic Shelf, where it had been trapped under the permafrost. There’s as much coming out from one small section of the Arctic ocean as from all the rest of the oceans combined. This is officially Not Good.
Here’s why: methane is a powerful greenhouse gas, significantly more powerful than carbon dioxide. There are billions of tons of methane trapped under the permafrost, and if that methane starts leaking quickly, it would have a strong feedback effect — warming the atmosphere and oceans, causing more methane to leak, and on and on. The melting of methane ice (aka "methane hydrates" and "methane clathrates") is probably the most significant global warming tipping point event out there…
March 9th, 2010 | comics talk
So, on my message board, I run weeklyish art challenges for the amusement of the artistic community therein. This week, I decided to change things around, and posted the following:
You are an artist/designer. You have to put together the cover for the first issue of a weekly science-fiction anthology comic called 2000AD.
You don’t know much about what’s in it. You’ve been given the following pieces of information to include on the cover somehow:
"featuring the new DAN DARE"
"M.A.C.H. 1 – his incredible hyperpower will amaze you!"
"SPACE-AGE DINOSAURS! Read ’FLESH’ "
"STOP PRESS! GREAT BRITAIN INVADED!"
Without the "", obviously. Your choice as to how you use these — whether you relegate them all to text at the bottom, or choose one to illustrate, or whatever.
The cover must include a logo and the numbering, which you’ve been told is not the usual "issue one," but "Programme 1."
And that’s it.
It’s up to you what kind of company you’re at. What kind of comics you make. What era you’re in. Who you are, even. Go nuts with it.
(Obviously, there was a time when 2000 AD was The Future. So, you tell me. Is this a retro-sf comic? Or are you in the late 19th century and publishing it on punch cards? Is it the Seventies and are you Roger Dean? Or Jamie Reid?)
It sort of mirrors the truth of 2000AD Prog 1, which was that it didn’t strictly speakinghavea cover illustration, as a massive frisbee was mounted on the front cover as a free gift.
You have one week. Go.
Which was really, a terrible thing to do to them. It runs until Sunday night, and anyone can play.
March 9th, 2010 | station ident
March 9th, 2010 | music
By Robin Guthrie, from the album IMPERIAL.
G’night.
March 8th, 2010 | researchmaterial
Want a coffee that requires an LD50 statement? The Direktor’s continuing experiments in making the supercondensed, superpowered coffee he’s named The Black Blood Of The Earth never fail to amuse, and the latest update made me smile. He has created coffee that now breaks Science itself.
Subject 3: had several sips of Batch 3 prior to breakfast with two cups of Baker’s Square coffee and followed it with the remainder of the Batch 3 mug upon return. She entered a state of hyperactivity requiring "walkies" outside, rapid speech, and much bouncing from one foot to another prior to complete burnout and crash for a period of an hour. Full recovery was made within three hours…
March 8th, 2010 | people I know, researchmaterial
Probably the best sf magazine on the web. Featuring new work by fellow-travellers Paul Di Filippo and Kek.
March 8th, 2010 | Work
TOTW is basically a joke that Ariana and I pull each week in our joint guise as the International Electrophonic Unit. Basically, we take some of the stupider things I’ve said on Twitter and elsewhere, often in a state of extreme alcoholic refreshment or severe sleep deprivation, and put them on a t-shirt. Ariana set up a Cafe Press store (because this is a joke and engaging with a serious maker of t-shirts would be less funny to us), and… well, once a week, here we are.
Through this website and this Cafe Press store, we’re going to release one t-shirt a week. It’ll go live on Monday… and it’ll die Sunday night — midnight UK time, more often than not. Each one lives for a week, and then it’s replaced by the next week’s shirt. Until I either run out of dumb ideas or Ariana’s brain explodes.
So, every Monday, I’ll post the new shirt here, and you can peer at it more at http://www.cafepress.com/electrophonic.
Anyway. I present to you T-Shirt Of The Week #014: FAILED TO DIE:
We also offer a couple of perennial items, including:
(And also a MAN COOK MEAT WITH FIRE "splatter-shield", because Ariana’s crazy)
Thank you for your kind attention.

March 8th, 2010 | brainjuice
March 8th, 2010 | station ident
March 7th, 2010 | daybook
Haven’t been too present here over the last week or two. Spent the last few days in London, being interrogated on camera for a thing that I believe gets announced late next month.
Check out this amazing shot by Melyssa Anishnabie.
The year’s just rushing by. I have ten days at home, and then I’m in London for another day or two for more meetings. Looking at more international travel in late April/early May, and then god knows what the summer’s going to bring. But, right now, it’s all about focussing on the next ten days: killing off some more comics work, bringing the hammer down on Project Drill and talking with my film agent a lot. Strange days continue.
Also, I keep getting nudged towards doing something with Newspaper Club.
Here’s a pretty picture by Ellen Rogers.
Seriously, I’m not sure where the year so far has gone. Is it going to be one of those years, where we all stand around in December and say "what the fuck happened? It was January yesterday." I hope that I at least notice it get warmer before then: winter’s sticking around like the last drunk at the party that you just can’t dislodge from your house.
Anyway. I’ll be around more, this coming week.
March 5th, 2010 | brainjuice
March 5th, 2010 | photography
Sent from my outboard brain
March 4th, 2010 | brainjuice
March 4th, 2010 | researchmaterial
Jiminez Lai, via Suckerpunch:
fiction is the impetus of architecture, and architecture is one of the most powerful representations of culture. more specifically, the source of my work comes from interpreting taste, look, and trends. through acts of re-imagining fictional scenarios based on exaggerations of current practical and academic patterns, we can studiously investigate the alternate worlds and unexpected implications about architecture and urbanism.
in my work, i explore hypothetical scenarios of experimental architecture. by pressing alternate conditions against our context, the projects aim at interrogating different points of views and broaden the ways we engage conventions.
graphic novels and physical installations are my two primary weapons of choice, and i believe representation is more than half the battle.
the drawings often explore storylines of architecture and urbanism that dramatize exaggerated realities. the projects swerve back into the physical world via the interactive installations derived from the stories. these installations are attempts to better understand the spatial implications of the two-dimensional fiction.
March 4th, 2010 | Work
In which I write, a few months ago, about the way the BBC is being hunted by commercial forces. Peculiar timing, that it should come out this week, after the BBC’s basically started cutting itself in public in the hope of appeasing said forces. Also:
Everyone cares about the iPad, because its awesome technological potency will do… something. Apparently. The iPad will shag the Kindle and make the Kindle call it Herbert or something.
March 4th, 2010 | station ident
God help us, it’s a new day, and so warren ellis dot com cranks up. My name is Warren Ellis. I write comics and books and things. And this is a picture by Eliza Gauger.
Good morning.
March 4th, 2010 | music
The opening piece of Zola Jesus’ forthcoming EP, entitled STRIDULUM, this is "Night."
G’night.
March 3rd, 2010 | Work
I’ve kind of lost track of how many variant covers Avatar generated for the CAPTAIN SWING serial, but I really love the "Penny Dreadful" design that Ariana came up with.
March 3rd, 2010 | brainjuice
March 2nd, 2010 | brainjuice